Meyer IV: The Seven-Per-Cent Solution.

When the decision was made to turn his successful novel The Seven-Per-Cent Solution into a movie, Nicholas Meyer took on the challenge of adapting it himself. The result was an Oscar nomination. The film, in which Sherlock Holmes meets Sigmund Freud, was as much of a critical success as the book which preceded it.

In this episode of Commentary: Trek Stars, Max and Mike look at Meyer's work on the film directed by Herbert Ross and starring Nicol Williamson, Robert Duvall and Alan Arkin. We discuss the unusual tone of the film, the changes which were made for the screen, and how this Sherlock Holmes compares to other screen versions of the character. We also hope for a Sherlock Holmes crossover in Meyer's upcoming Sigmund Freud television series.

Hosts

Mike Schindler and Max Hegel

Editor and Producer

Mike Schindler

Associate Producers

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Chapters

The Seven-Per-Cent Solution (00:52)

Adaptation (12:36)

Final Thoughts (25:34)

Closing (34:36)

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Meyer III: Houdini.

Throughout his career, Nicholas Meyer has shown a fascination for the psychology behind larger-than-life historical figures. His new television mini-series, Houdini, is no exception.

In this episode of Commentary: Trek Stars, Max and Mike take a look at the show, which was scripted by Meyer and stars Adrian Brody as the title character. We discuss the surprisingly high-end production value, the unusual formal qualities, and the Arthur Conan Doyle subplot. We also touch on the involvement of two Star Trek movie directors' fathers.

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Chapters

Houdini (1:11)

The Style (09:00)

Doyle (25:20)

Wrap-Up (38:49)

Meyer II Part 8: Recap.

Nicholas Meyer has directed what many consider to be the two best films of the Star Trek franchise. Despite this, most of his other movies exist in relative obscurity.

This week, Max and Mike recap Meyer’s career as a director, looking at each of his pictures, including Time After Time, Star Trek II: The Wrath of Khan, The Day After, Volunteers, The Deceivers, Company Business, Star Trek VI: The Undiscovered Country, and Vendetta.

Meyer II Part 6: Company Business.

Nicholas Meyer’s Star Trek VI: The Undiscovered Country is an allegory about the end of the Cold War. When the prospect of peace between the Federation and the Klingons becomes a reality, Captain Kirk and General Chang are uncertain of their place in the galaxy. But The Undiscovered Country isn’t the first time that Meyer had dealt with this subject matter. Just three months prior to that film’s release, Company Business hit the sliver screen.

Company Business tells the story of two aging spies, played by Gene Hackman and Mikhail Baryshnikov, who must team up in order to survive after a prisoner exchange between the Americans and the Russians goes wrong.

Both films deal with the Cold War in a very similar way. But where The Undiscovered Country is universally considered to be a success, Company Business is thought of by many, including Meyer himself, to be a failure.

This week, Max and Mike take a look at Meyer’s seventh directorial effort. We discuss the similarities between the two films, the compromises that Meyer was forced to make in order to get Company Business made, what makes this one of Meyer’s lesser works, and what the proper term for a male ballerina is.

Meyer II Part 5: The Deceivers.

Nicholas Meyer’s fifth film is the Merchant Ivory production The Deceivers. It stars Pierce Brosnan as a British officer in 19th century India who goes undercover to infiltrate the Thuggee cult, a band of thieves and murderers, in an effort to stop them. 

This week, Mike and Max are joined by Marcelo Pico of Framed Panda to discuss the film’s similarities to modern-day undercover cop movies, the portrayal of Thuggees throughout history and pop culture, Meyer’s fondness for the 19th century, his uncharacteristic use of a supernatural device, and whether or not a prequel could fit into Jurassic Park continuity.

Meyer II Part 4: Volunteers.

After spending a year creating a nuclear apocalypse, Nicholas Meyer shifted into a completely different gear with his 1985 film Volunteers. 

Meyer’s comedy stars Tom Hanks as a rich kid who joins the Peace Corps and flies to Southeast Asia in order to dodge a gambling debt. There, along with Rita Wilson and John Candy, he helps to build a bridge which, unbeknownst to them, is highly coveted by rival outside factions.

This week, Max and Mike are joined by John Tenuto to discuss the reasons behind Meyer’s decision to make a comedy, the presence of Meyer trademarks in the film, the movie’s similarities to Star Trek, the work of other Trek collaborators in the movie, and Meyer’s inability to make a meaningless piece of entertainment.

Meyer II Part 3: The Day After.

In 1983, Nicholas Meyer followed up Star Trek II: The Wrath of Khan with The Day After, a television movie depicting a nuclear war from the perspective of Lawrence, Kansas, a small town in middle America. The film is, and always shall be, the most watched television movie in history, and went so far as to influence the actions of U.S. President Ronald Reagan.

This week, Mike and Max are joined by Star Trek expert Larry Nemecek, who worked as an extra on The Day After while in college. We discuss the political climate of the time, the social impact of the film, what it was like to live in Lawrence during the movie’s production, Larry’s experience as an extra, and Larry’s encounter with Nicholas Meyer.

Meyer II Part 2: Time After Time.

Following years as a successful author, Nicholas Meyer finally made the jump to film directing with Time After Time. The movie features Malcolm McDowell as H.G. Wells, who must use his time machine to chase Jack the Ripper, played by David Warner, into modern day San Francisco. 

This week, Max and Mike are joined again by Ripperologist Augie Aleksy of Centuries & Sleuths Bookstore in Forest Park, IL. We discuss who Jack the Ripper may have been, H.G. Wells’s views of the future, the similarities between Time After Time and The Voyage Home, and whether to use your time machine to go to the future or the past.

Meyer II Part 1: The View from the Bridge.

Last season, Mike and Max covered the career of Nicholas Meyer as a novelist. This week, we kick off our second season with a series focusing on his career as a director. 

In the first part of our series, we’re joined by Meyer expert John Tenuto to talk about Meyer’s memoir, The View from the Bridge, focusing primarily on his work in Trek. We discuss his contribution to the writing of The Wrath of Khan, the similarities between The Voyage Home and his first movie, Time After Time, how his vision of The Undiscovered Country conflicted with Gene Roddenberry’s, and what he would have done if given full control of Star Trek III.

Meyer Part 8: Recap.

While Nicholas Meyer may be best known for his career in film, he is also a rather prolific author. Over the past seven weeks, Mike and Max have covered all six of Meyer’s novels, and this week we recap his writing career on the whole. We touch on each of his novels, including Target Practice, The Seven-Per-Cent Solution, The West End Horror, Black Orchid, Confessions of a Homing Pigeon, and The Canary Trainer, and try to draw some conclusions on his career on the whole. 

Meyer Part 7: The Canary Trainer.

After a twelve year hiatus, Nicholas Meyer returned to the medium of books for one last novel in 1993. Once again, he chose to tackle the character of Sherlock Holmes. The Canary Trainer looks at what happened to Holmes after The Seven-Per-Cent Solution, where we find him in Paris on the case of The Phantom of the Opera.  

This week, Max and Mike are joined by Augie Aleksy of Centuries & Sleuths Bookstore in Forest Park, Illinois, to discuss what Holmes was up to during The Great Hiatus, How Meyer fits his story inside of both Arthur Conan Doyle’s canon and Gaston Leroux’s novel, how the character of Holmes works without Watson, and how Meyer’s books encourage readers to seek out their source material.

Meyer Part 6: Confessions of a Homing Pigeon.

After a string of successful mystery and adventure books, Nicholas Meyer chose to tell a more personal story for his fifth novel, Confessions of a Homing Pigeon. The book is an autobiographical coming of age tale about George Bernini, an American boy who is sent to France to live with his alcoholic Uncle Fritz after his parents are killed in a trapeze accident.

This week, Mike and Max discuss the personal nature of the novel and how it deals with universal themes of adolescence, the reasons why Meyer felt compelled to tell this story, the similarities to Catcher in the Rye, how the book works as a road story, how this novel’s style differs from Meyer’s other novels, whether or not the book suffers from “The Dawson’s Creek Syndrome,” why the 14-year-old protagonist reminds Mike of Roy Scheider, what makes this book Meyer’s Driving Miss Daisy, and how the book is essentially the story of Robin the Boy Wonder gone wrong.

Meyer Part 5: Black Orchid.

In 1977, Nicholas Meyer teamed up with his University of Iowa classmate Barry Jay Kaplan to write his fourth novel, Black Orchid. The book was Meyer’s first attempt at something outside of the mystery genre, specifically historical fiction. It looks at the Brazilian Rubber Boom of the late Nineteenth Century, and the United Kingdom’s attempt to steal rubber seeds in the hopes of breaking up Brazil’s rubber monopoly.

This week, Max and Mike are joined by Matt Rushing of Trek.fm’s Literary Treks and The Orb to discuss the book’s strengths and weaknesses, whether or not Kaplan’s influence hurt the overall work, the protagonist’s similarities to Indiana Jones, the real life history behind the fiction, the inherent drama of seed-stealing espionage, the finale’s similarities to the Battle of the Mutara Nebula, and why The Undiscovered County is the perfect title for Star Trek VI.

Meyer Part 4: The West End Horror.

Two years after the success of The Seven-Per-Cent Solution, Nicholas Meyer returned with his second Sherlock Holmes novel, The West End Horror. This time, Meyer chose to write a much more traditional Holmes adventure which features the detective investigating a murder set against the backdrop of the British theater scene of the late 19th century.

This week, Mike and Max are joined by Tony Powers, a public librarian and Holmes aficionado, to discuss how Sherlockians compare to Trekkies, how Meyer’s books stack up against other Holmes pastiches, how the story is used to shed light on various historical characters of the era, the difficulties of simultaneously satisfying both the long-time fan and the newcomer, the passion of the Baker Street Irregulars, the work of Holmes scholar William Baring-Gould, and Meyer’s ability to stay true to source material while adapting it for a modern audience.

Meyer Part 3: The Seven-Per-Cent Solution.

Star Trek fans know Nicholas Meyer as the man who took a great franchise and made it even better. But prior to delving into the lives of Captain Kirk and Mister Spock, Meyer left his mark on another beloved fictional character: Sir Arthur Conan Doyle’s Sherlock Holmes.

This week, Mike and Max are joined by Nicholas Meyer expert John Tenuto to look at Meyer’s first Holmes novel, The Seven-Per-Cent Solution. We discuss the book as a piece of fan fiction, the idea of re-writing canon to make it work better, how the book stacks up against other expanded universe Holmes stories, Meyer’s ability to work within a pre-existing continuity, the similarities between this book and Meyer’s other works, Meyer’s fondness for pairing historical figures with fictional characters, the film adaptation, and the Undiscovered Country connection. We also touch on the possibility of Khan appearing in Into Darkness, and John reveals the premise for a very dark subplot which was cut from The Wrath of Khan.

Meyer Part 2: Target Practice.

1974 was a rather tumultuous year for the United States. Vietnam had just ended and Watergate had just begun. These events greatly affected young Americans such as 29-year-old Nicholas Meyer, who was beginning his career as a novelist.

This week, Mike and Max take a look at Meyer’s first novel, Target Practice. We discuss its use of time-tested detective fiction conventions, how it utilizes those conventions to tell a modern-day story, how it fits into Meyer’s overall career, whether or not it’s too straightforward, how it uses Watergate as a backdrop, how it looks at Vietnam from a civilian perspective, and whether or not it simplifies the issue of warfare’s psychological impact on veterans. We also analyze Meyer’s love for The Bridge on the River Kwai, and wonder if The Love Story Story is of Star Trek: The Next Generation Companion quality.

Meyer Part 1: Star Trek.

In an attempt to bring cohesion to the disparate concepts which would eventually make up the most revered film in franchise history, Harve Bennett hired relative newcomer Nicholas Meyer to re-write and direct Star Trek II: The Wrath of Khan. And so, the world of Trek would never be the same again. But before he saved our favorite franchise, Meyer had written a number of very successful books.

This week, Max and Mike begin a new series which will look at Nicholas Meyer’s career as a novelist. Over the next couple months, we will cover all six of his novels, including Target Practice, The Seven-Per-Cent Solution, The West End Horror, Black Orchid, Confessions of a Homing Pigeon, and The Canary Trainer.

But first, a look at his contribution to the world of Trek. In this episode, we discuss why getting an outsider to make The Wrath of Khan was a key to its success, how Meyer’s decision not to return for The Search for Spock, was the right one to make, the similarities between The Voyage Home and Meyer’s directorial debut, Time After Time, and how The Undiscovered Country is allegory done right.